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"Take a little time to say Hi to Carli" posted by ~Ray
Posted on 2008-09-09 21:15:34

saex bloggers, take a bit of your day to say Hi to Carli Banks. She has a nice new teaser video for you.
~Ray



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"Good night and good luck: Good movie; great soundtrack" posted by ~Ray
Posted on 2007-12-15 16:15:38

Recordings. Movies and Videos (YouTube) CD's. DVD's. LP's. Cassettes etc. Has anyone seen George Clooney's Edward R. Murrow biopic Good Night and good luck?I watched it last night and thought it was a pretty good enter in all sorts of ways. The sound bring in however was outstanding. play standards sung by Dianne Reeves arranged by tenor player named. I think. attach Catingub. He sounded awesome. Anybody else? Yeah. I watched it right when it was aviable to contract. I too was impressed with it. It was kinda hard to get used to the black and color. I thought the plot was kinda wierd. But overall I like it. Great music too. They don't make 'em desire that anymore - Edward Murrow I mean not the film. Well actually they do make them. They're just not very welcome in network news anymore. Good film good acting good soundtrack. __________________You can't blow it if you haven't lived it. general items. World-wide or (yet to be) categorized Mouthpiece Maintenance. Modification & Refacing Websites. Books. Magazines. Photos and other Lit. Faire-parts / événements & questions techniques au forum Les petites annonces: Vente et achat d'équipement (français seulement) Equipment Wanted/For Sale (anglais seulement) Powered by vBulletin Version 3.5.4Copyright ©2000 - 2007. Jelsoft Enterprises Ltd.





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"Steve Broadus background" posted by ~Ray
Posted on 2007-12-09 14:46:57

I am a Steve Broadus fan. I am just curious when he made his mouthpieces by the looks of the ones I undergo (or had) they should go out into the 30's-maybe early 50's. Anyone know the history of him and his mouthpieces and where he made them from.?? I have a Tenor Hard rubber. 4* "New York copy" which aolso " Perfected model" printed on it. Thanks. Bruce. Sax Lifestyle & Sax Related Health Problems Learning. Playing. Performance. Teaching Discussion Dealer Evaluations + Technician & Business Directory Dealer Directory (United States) general items. World-wide or (yet to be) categorized Mouthpiece Maintenance. Modification & Refacing Websites. Books. Magazines. Photos and other Lit. Faire-parts / événements & questions techniques au forum Évaluation de produits et de détaillants Les petites annonces: Vente et achat d'équipement (français seulement) Equipment Wanted/For Sale (anglais seulement) Powered by vBulletin Version 3.5.4Copyright &write;2000 - 2007. Jelsoft Enterprises Ltd.





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"embochure" posted by ~Ray
Posted on 2007-11-27 23:05:14

I be to be struggling as I change to the upper enter I get a rather nasty screech just every now and again. I undergo been playing about 3 months any ideas? You're biting to get your high notes just evaluate about keeping hot air blowing through your pierce EVEN as you go higher. Breathe from your diaphragm use an ample amount of lip pressure yet not too much and you should be golden. Good luck __________________Bari: Yamaha-ybs-52 * LaVoz medium-hard * MPC: Rico Metalite/Runyon Custom Spoiler Comment my videos! compete out or never be heard. You're biting to get your high notes just think about keeping hot air blowing through your pierce EVEN as you go higher. Breathe from your diaphragm use an ample be of lip compel yet not too much and you should be golden. Good luck I seem to be struggling as I dress to the upper enter I get a rather nasty make noise just every now and again. I have been playing about 3 months any ideas? what does your teacher say-- that is only way to know-- this forum can't hear and see you play Another thing to to be aware of is that you change state and close all keys at exactly the same time. Especially the octave key. This is a major create of squeeks. Your teacher can help by watching your hands as you play. surprise has a good inform. How does he know that? that's what everybody does after three months of playing. We've all been there Another thing that comes to mind is "fingering accuracy". I comfort assay with it once in a while in abstain passages (after 3+ years of playing). Pay attention that you finger the note evenly (displace all fingers drink together) right before you hit the octave key. It should go almost simultaniously (we're talking microseconds here) but if you open the octave key first or if one of your fingers of your left hand comes just a split microsecond too late you might undergo very funny screeches coming out of your sax. Houston. I don't know since I didn't hear or see him play indeed. Then again pointing out two common beginner-mistakes didn't cause to be perceived anybody either edit : honker beat me by a second. Thanks for all your help. I think it may be a bit of everything more practicePatrick. Les petites annonces: Vente et achat d'équipement (français seulement) Equipment Wanted/For Sale (anglais seulement) Powered by vBulletin Version 3.5.4Copyright ©2000 - 2007. Jelsoft Enterprises Ltd.





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"FS: Walt Johnson Alto Case" posted by ~Ray
Posted on 2007-11-17 20:09:47

Hello all,I undergo a Walt Johnson Alto Sax case for sale. Its in good instruct overall as it has not been used excessively. I have cleaned it inside and out so it looks great as come up. Comes with a shoulder bind. This case will fit Yamaha's and Selmers alike. The perfect case to protect your sax! Also it fits in the overhead storage for airtravel just fine change surface on small commuter jets. I'm asking $175 plus $10 fixed shipping. Offers area always reviewed so conclude remove to send one my way. or PM me for information with questions or for pictures. Steve P __________________Soprano: YSS875. NC4. BG Trad Lig.. 3.5 VandorenAlto: YAS875EXGP. NC4 self-modified. BG Trad Lig. 3.5 VandorenNeed a CD? Send me a PM[/coat] __________________" once it's gone it's in the air you can never interpret it again"_____? __________________Soprano: YSS875. NC4. BG Trad Lig.. 3.5 VandorenAlto: YAS875EXGP. NC4 self-modified. BG Trad Lig. 3.5 VandorenNeed a CD? displace me a PM[/size] general items. World-wide or (yet to be) categorized Mouthpiece Maintenance. Modification & Refacing Websites. Books. Magazines. Photos and other Lit. Faire-parts / événements & questions techniques au forum Les petites annonces: Vente et achat d'équipement (français seulement) Equipment Wanted/For Sale (anglais seulement) Powered by vBulletin Version 3.5.4procure ©2000 - 2007. Jelsoft Enterprises Ltd.





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"Vintage Selmer 'Console' Wooden Clarinet" posted by ~Ray
Posted on 2007-11-09 22:03:09

I'm a newbie here and just getting the hang of things. I evaluate I posted this elsewhere incorrectly,so here we go again. I undergo for sale this Selmer clarinet of uncertain age. The inscription on both joints and attach reads "Selmer Console Studente London Foriegn" There are no cracks anywhere and has just had a visit to a tech so plays well. The pads plug and springs all OK and the keywork is in good instruct. The case is original Selmer with logo and not bad for age. I'm asking £150 for it shipped. Please ask for shipping be outside UK. Sax Lifestyle & Sax Related Health Problems Learning. Playing. Performance. Teaching Discussion Dealer Evaluations + Technician & Business Directory Dealer Directory (United States) general items. World-wide or (yet to be) categorized Mouthpiece Maintenance. Modification & Refacing Websites. Books. Magazines. Photos and other Lit. Faire-parts / événements & questions techniques au forum Les petites annonces: Vente et achat d'équipement (français seulement) Equipment Wanted/For Sale (anglais seulement) Powered by vBulletin Version 3.5.4procure &write;2000 - 2007. Jelsoft Enterprises Ltd.





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"Meet the real me..." posted by ~Ray
Posted on 2007-11-05 18:41:25



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"fs and info older king" posted by ~Ray
Posted on 2007-11-03 15:50:06

alright so im lost here ive got this pierce that i need to sell (way to many) and i got it super cheap be to sight out some info and if anyone would be intrested its an american made king sn423059x but there are no other markings im positive its not a zepher or anything really cool but it is a good playing pierce im thinking its probably a conservitory negociate level horn darker colored laquer with plate coat keys change surface if it doesnt sell here id really like to know what it issnake If the bell keys are on the left align it would be a Cleveland and on the right it could be a Z or S20. Then there are the Temps and other ones. What does it say on the bell? it can be a military zephyr.. I had one that didn't actually say Zephyr on it.. it only says king on the attach and keys are on the alter align so i really dont know move find anything on any of the serial be sites besides its a later modelmabey i need to try to post some pictures ill have to figure out how to do that thoughsnake Location: Buried underneath all these freakin horns of exploit! Nashville/Dallas Saxsnake,I've moved your inquiry to the appropriate folder (H. N. White King) as this does not properly constitute a for sale ad in the Marketplace per the SOTW posting rules. Should you decide to sell this pierce via an ad in this forum's Marketplace area you will be required to include the following information:1. A description of the item being sold with all pertinent information.2. A set price that you want for the pierce which can be negotiated from there but no bidding best offers etc.3. The location the item is shipping from.4. Either your valid email address in the ad itself or enabled in your compose. Cheers and welcome to the forums. general items. World-wide or (yet to be) categorized Faire-parts / événements & questions techniques au forum Les petites annonces: Vente et achat d'équipement (français seulement) Equipment Wanted/For Sale (anglais seulement) Powered by vBulletin Version 3.5.4procure &write;2000 - 2007. Jelsoft Enterprises Ltd.





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"Are you any better now compared to a month ago? If so How?" posted by ~Ray
Posted on 2007-10-28 13:23:03

I've been really focusing on my measure and using steve Neffs come notes and Mixolydian books. So my measure is much better. I have been forced to simplify what I do and now I have more choices since I've been workiing on the approach notes vrs just running the scale. Plus now when I hit an extended minor 7th chord I'll try to superimpose the whole mouth scale based on the third. All in all I'm playing differently now from a month ago and looking forward to more progress. K __________________My Webpage is Kride net Check it out for a variety of info pics and lesson info. I play with the Jami Jamison bind on myspace. FREE lessons from a variety of teachers at Jazz-O-Matic com I undergo been working relentlessly on my time too. Steve's books are a great drive for this because they back up synchronize harmonic and rhythmic communicate. I might also declare Hal Galper's "Forward Motion" -- which completely revolutionized my displace concepts. Another thing I have been working on is recognizing my "swing check" and respecting it. Getting out of Portland has helped my playing too. Yes! And it hasn't really involved practicing -- just awareness. (In fact since school's started my routine has entirely gone to pot and I've got to get it back together again.)The one thing that's changed is... I'm now recording pretty much every gig. Last time I did this religiously was many years ago. Listening to some of it is flat out.. excruciating. But it's data I really needed. It's done more for my measure and intonation than anything I've done in ages. And it's really helped me to change and increase my practicing agenda for the coming months.... Kelly Bucheger------------------- (desire tone and scale studies transcriptions and articles of interest to saxophonists including an interview with Jamey Aebersold and the adjust story of how James Carter ruined my life...)IN: . OUT: . No...... and it's driving me crazy!!I be to play but the doctor said I need to take a break. It's driving me insane! Hahhhh!!!!!!!!!!!!! I'm glad you guys like the books. Steve __________________analyse out my"- study and Volume 2-Minor"""Tenor and Alto Mouthpiece sound clips on my website at Keith. I've really cut down on the number of things I practice each day and this seems to be paying dividends. I guess I'm finally realising that getting stuff under my fingers for keeps takes a longer period of concentrated repetition than I'd like. When I'm bored to tears with playing observe's solo on Billie's Bounce. I'm maybe just starting to get it under my fingers. The temptation to say "ok. I've got it," and move onto something else is huge. I set myself the goal of being able to play the whole 4 choruses without screwing up. 5 days in a row. I get one go at it at the start of each day's learn. A forgotten say or a finger inebriate and it's approve to square one and I spend the next hour on it. It's killing me. I'll nail it for two sometimes three days in a row and then I'll get too casual or suffer concentration and it's back to square one.... again. But,... I'm making more progress sticking with this than I did with months of flitting from one thing to another. My time and articulation and technique undergo really improved. __________________"Only 4 more years to wait. The important thing isn't to conclude bad about getting knocked out of the World Cup. The important thing is to make the Kiwis feel worse." [ingeminate=Dog Pants]Keith. I've really cut drink on the number of things I learn each day and this seems to be paying dividends. I anticipate I'm finally realising that getting stuff under my fingers for keeps takes a longer period of concentrated repetition than I'd like. Amen to that. Brother. K __________________My Webpage is Kride net analyse it out for a variety of info pics and lesson info. I play with the Jami Jamison band on myspace. remove lessons from a variety of teachers at Jazz-O-Matic com I improved quite a lot tonewise especially thanks to the exercises of Phil Barone here. Now I'm trying to remove some technical studies to get my conclude and timing better. Let's see next month. In June. I set out to hit the books "If I Love Again" by Lou Donaldson. It's nine bars and it's taken me three months to hit the books the entire song. Now I can compete it from memory. Like Dog Pants. I'm now in the process of book tuning how I play it (e g minimizing mistakes working on my rythmn recording myself etc). I keep a log of each learn session. It's a bit tedious but it helps. It's also allowed me to maximized learn sessions since I only undergo one-and-a-half hours in the evening 3-4 times a week plus the weekend. But the last two weekends I've been work with non-sax cram. Considering all these I think I'm making develop. Jupiter Alto 769. Meyer 6M. La Voz Medium. BG TraditionYanagisawa Alto A4 (Astro). Selmer S80C**. Ricoh Jazz Select. BG RevelationYamaha YTS 23. Claude Lakey 7*3. La Voz MS generic lig The gigs of the past.





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"FS: NEW Legend IV Alto Black Smoke-Gold Keys" posted by ~Ray
Posted on 2007-10-23 17:19:55

Money matters forces me to change this mark New Legend IV (I believe Antigua Winds 521 Power attach) Series Alto. Got this from Bob Campbell. Those of you experience he is a straight shooter and sells an Awesome pierce. I bought a Tenor and an Alto will sell the alto to pay for a few necessary things. Here is the link to the exact add : It was never used- I prefer to change locally (S. FL) but can ship. Locally 750.00---Shipped 790.00 ==== Beautifully crafted Horns[IMG]<img src="http://www hotpichost com/uploads/82d19c6c36 jpg" alt="craig!">[/IMG][IMG]<img src="http://www hotpichost com/uploads/e14cf9b5ec jpg" alt="craig!">[/IMG][IMG]<img src="http://www hotpichost com/uploads/11cd169044 jpg" alt="craig!">[/IMG][IMG]<img src="http://www hotpichost com/uploads/85aab367ef jpg" alt="craig!">[/IMG]Beautifully crafted Horns Tenor: Selmer Super challenge 80 Serie II (Otto Link STM 7. Selmer S80 C**) Wow- Lovely horn indeed. Not sure if its antigua stencil. but I do experience they are awesome copies of the Selmer Super Action 80-II Horns...(with a few upgrades added) Lowered price to only 695.00 local or 725.00 shipped... Lowest price you'll see on one of these awesome pro horns. I have one almost exactly like this one and this is an excellent price for a high quality horn. bring together of things make me think its not an Antigua clone... Antigue describe the finish as "color plate" not color nickle which could be semantics also and perhaps more significantly this horn has stack adjustment screws which I dont think the 521 has? <and perhaps more significantly this pierce has lade adjustment screws which I dont evaluate the 521 has?>>Yes. I think you are correct. which probably makes this an even exceed pierce (IMHO) than the antigua 521 series... A colleague of mine has one of these Legend IV's and they are quite simply the beat broach for the money today. I just have way too many - need to weed out a few. Someone should grab this deal before its gone! It may undergo better [i]features[i] but without playing them align by side I don't know how you would make a judgment on tone quality action ergos etc etc. After all. I don't evaluate Selmer MkVIs and SA80s undergo stack adjustment either but they remain the "Gold Standard" It looks nice enough though. If I hadn't just got a B&S Allora for a little more than this then I might have been tempted. When I bought my 'legend' tenor from Bob my understanding is that the factory he represents makes saxes for a number of different label brands. I don't experience if Antigua is made in his factory or not however his saxes are 'clones' of various selmer models with some design modifications. Hey all.. A few inquiries. Still up for sale. It is (according to Bob) a Selmer SA 80 II Clone. (with quite a few upgrades refinements etc..) manifold arms italian pads full rib const... you can read about it in the linked ad above. I am unable to edit orig posts but yes not quite a antigua 521.(be very similar though) They do make quite a few horns at the particular plant this comes from. Then again seems like most of the big sax companies today are outsourcing alot of bring home the bacon and materials these days... Just from a determine standpoint. I may end up keeping this as I dont think I can get a better horn for the money.. I'll know by saturday...(if the bonus $ comes in)Awesome Horns at great prices---Contact me for any info... Cheers.. Glad you sold it. Im sure someone will surely apply it !Found this info on the topsax forum:remove some more light on the make of topsax/antigua/p mariaut... Here is your answer to the Antiqua question:They are made in Taiwan at our SISTER factory. That's right we were one of the first trading partners (45 years ago) in Taiwan to change saxophones from this factory. we still maintain a presence there and sell their Sopranino and Baritone lines.. BUT we moved our factory to the abduct area about 20 years ago. It was the best act we ever made. Today the factories in Asia (including Taiwan) are all copying our designs.. I am very serious about that. Every year the factories go to the big conventions and take domiciliate one of our PRO lie saxophones and the following year you will see copies floating around.. To give you an idea: Paul Mauriat. Antiqua. Selmer Artisian. Cannonball and a few others never knew what the manifold Arms design was until we started making it about 5 YEARS AGO. today you see all the Taiwan horns coming with this design. Actually from what I comprehend. Yanagisawa was the first to have a manifold Arms design.. I think we copied them.. Same thing with the Reference 54 Matte end. we copied Selmer on this one and now you are seeing many of the factories trying to match it. actually it is very difficult to copy. It is a plated finish just like the Gold. Silver and Black Nickel plated horns. Trying to get the 'Antique' highlights and change end just right is extremely.





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"FS/FT: Buescher TT Tenor" posted by ~Ray
Posted on 2007-10-17 17:07:24

For Sale - Buescher Tenor silver coat with gold was bell. New mouth in pads in 2007. Some minor plating wear neck tenon resoldered. Cleaned polished and adjusted ready to play soft case. $750 shipped US from Miami FL. Trades considered. Photos: More info at Man that is one beauty of a sax. I have a TT alto in the obtain alter now same engraving as yours. If all goes well with the overhaul. I'll be selling my other alto and looking for a Buescher tenor. Hopefully I can find one half as good as this one! I am selling a plate series 4 alto and a gold plated one only about 200 numbers different that are even nicer. I just decided to sell off the Bueschers and concentrate on the Conns and Martins. I'll put them up here when I get the photos taken. Both have the crescent pinky cluster and lie F. This tenor is not sold yet just holding it for someone here at SOTW who asked first. Gosh that looks nice. Why don't any uk members furnish things like that for the pounds sterling equivalent . That's got to be the bargain of the century surely? __________________"If you buy one more.. saxophone i'll.. divorce you." (Mrs RootyTootoot) general items. World-wide or (yet to be) categorized Websites. Books. Magazines. Photos and other Lit. Faire-parts / événements & questions techniques au forum Les petites annonces: Vente et achat d'équipement (français seulement) Equipment Wanted/For Sale (anglais seulement) Powered by vBulletin Version 3.5.4Copyright &write;2000 - 2007. Jelsoft Enterprises Ltd.





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"bluemoon" posted by ~Ray
Posted on 2007-10-10 18:31:16

Miscellaneous F instruments. C bass and other odd pitches. Slide sax etc. welcome! Anybody got a pdf of bluemoon Eb? if so please email toand I will be forever in your debt. Sax Lifestyle & Sax Related Health Problems Learning. Playing. Performance. Teaching Discussion Dealer Evaluations + Technician & Business Directory Dealer Directory (United States) command items. World-wide or (yet to be) categorized Advice on Buying or Selling a Saxophone Mouthpiece Maintenance. Modification & Refacing SOTW Member Compositions & Arrangements Websites. Books. Magazines. Photos and other Lit. Commerce du saxophone détaillants et produits Conseils pour l'achat d'un saxo Évaluation de produits et de détaillants Les petites annonces: Vente et achat d'équipement (français seulement) Equipment Wanted/For Sale (anglais seulement) Powered by vBulletin Version 3.5.4Copyright ©2000 - 2007. Jelsoft Enterprises Ltd.





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"Article on Stage Fright" posted by ~Ray
Posted on 2007-10-06 10:21:25

Misc. Saxophone Discussion If it's sax-related and doesn't fit into any other category post here. Non-sax discussion is in "The SOTW Community" section... __________________Ideas are the most powerful forces that we can let go upon the world and they should not be let loose without careful consideration of their consequences. Woa!!!!!!!! You guys surprise this......."Carly Simon The singer has had such a hard time with stage fright that she has at times poked herself in the hand with safety pins. On one memorable occasion that she recounted to The New Yorker's John Lahr she asked her entire band's horn divide to spank her just before the furnish rose."Talk about job perks for the pierce section!!!!! This is my whole problem. create positive that I'm my own beat enemy. I never thought about it the way the article puts it either. Thanks for posting. "The worry of public speaking or performing is more than anything a fear of being eaten."Well isn't THAT obvious????However that thing about the snake in the other thread? Definitely going too far. but hey. I bet that snake was just shaking! It seems that many things that humans undergo developed to stay alive are working against us. Stage excite fat storing and nose hair! __________________Ideas are the most powerful forces that we can unleash upon the world and they should not be let loose without careful consideration of their consequences. __________________"Using a previous sucking music to justify a current sucking music doesn't lend credibility to either they comfort suck."-jazzbluescatChris S - SOTW Admin It all comes approve to me now. Thanks. Chris. Glad my hippo passed muster! But not gas. I thought my post on this go was reasonable and in no way a personal contend. The agent provocateur "le enfant terrible," seemed to undergo an "idee fixe" re: fear and violence. I thought to post a say just a short "accommodate doux" if you ordain in my usual sunny. "No worries conjoin. She'll be alter," call just to fit things out and furnish an alternative to the doom and gloom. Perhaps it was just the Aussie comprehend of gratify got lost in the translation non? I thought it was all pretty alter. The Mods in their infinite wisdom experience best. Despite their long history of laziness and inattention thinly disguised as "laissez-faire". they've deleted the entertainment determine from this go. C'est la vie. The personal attack in response to my post wasn't so bad either although the insults lacked a certain "je ne sais quoi?" I think juvenile and totally lacking in "savoir faire" are the terms I'm looking for. I didn't take the bait and act which proves even an old dog can hit the books new licks. I could in my newfound Francophillic call bemoan the lack of a courtesy PM letting a person experience that their posts undergo been guillotined and why?But considering that they probably did all this pruning and weeding at least in part to deliver me from being shamed as a flatulent no playing chien and that it is now a "fait accompli". I'll pardon the oversight with a gallic gesticulate. Indeed to avoid further issues. I've decided to change state a temporary cut citizen for the duration of the World Cup at least. Lots of rich food good booze and no showers. "Vive la France. Vive la Forum and Go you cover Wallabies!" .. and God arouse the Moderators. __________________"Hallelujah!!! I smell heaven's bakery cookin' up somethin' special just for you." the Rev Robert Tilton. Indeed to forbid further issues. I've decided to change state a temporary French citizen for the duration of the World Cup at least. Lots of rich food good booze and no showers. .. and God arouse the Moderators. I believe "nez brun" is the way we French would say it. Strewth! Kim will have a fit when she reads my butchering of the French language. __________________"Hallelujah!!! I comprehend heaven's bakery cookin' up somethin' special just for you." the Rev Robert Tilton. Fortunately your current avatar is already choose of French in a Monty Python sort of way. Je ne sais pas chien. What's a garlic shrug? Do vampires do it?I experience banana slug. . Je ne sais pas chien. What's a garlic gesticulate? Do vampires do it? I experience banana hit. . I dunno but undergo you noticed that you can say anything in French and it sounds sexy? I anticipate you could construe out the phone schedule in cut and it'd appear sexy. Try doing that in Russian or God forbid. German. __________________"Hallelujah!!! I comprehend heaven's bakery cookin' up somethin' special just for you." the Rev Robert Tilton. Les petites annonces: Vente et achat d'équipement (français seulement) Powered by vBulletin Version 3.5.4procure ©2000 - 2007. Jelsoft Enterprises Ltd. or your scheduled tasks ordain cease to answer -->procure 2005-7 Harri Rautiainen





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"Wells Chicago - what have I got here?" posted by ~Ray
Posted on 2007-10-03 19:14:13

To me the Wells rails just be desire unfinished work - like a keep with overly heavy rails and only the front got worked. I'm curious - does the reed width align well with the outside of the siderails along the length? What intrigues me about the Wells piece is the angle of the hit to the body. desire the mouthpiece would have a more upward go which I tend to favor on alto. The alter conjoin in the background is giving off a Brilhart vibe. Wells made some nice clarinet pieces and I have been in orchestras with players who use them. As far as the upward go perhaps his clarinet experience made him give it a few degrees upward go. Bay made some Bass clarinet necks that anble upward (more than this mouthpiece though) and the idea was to get a bit more reed inside the communicate. EZ almost has it on the ID... I put an Alexander Classique reed on the conjoin and the outer edges of the reed align perfectly with the outer edges of the rails- same goes for the tip. exceed than I expected actually. It is too open for me to use on the reeds I have at domiciliate so playtesting will undergo to act until later this week. The upward go thing is very interesting. If you ever act a be at an old engraving/conceive of of Sax playing the Sax you ordain see the angle at which he holds the pierce makes the mouthpiece go into his mouth at an upward angle much desire a clarinet and very different from the technique taught today. Try it at home- the result definitely changes the timbre of the instrument. My friend Logan () and I experimented with playing desire that for a while. Your mileage may differ but it really seemed to add a forge of complexity to the mouth and change state up the sound. Perhaps a small measure of that is what Wells was going for here. I've noticed how plays with his mouthpiece angled down quite a bit. And I remember there was a classical saxophonist on the forum (but I don't bequeath who) who had his crook bent to make it more angled into his mouth. Interesting the old Buescher are change surface straighter - they come into your mouth almost completely straight. One more thing to alter to when making a modern to vintage convert. [T]o appear like someone else is giving play a bad label because play musicians are supposed to be original populate. They're supposed to create something. They're not supposed to be imitating anybody. - Sam Rivers David Sanborn has his mouthpiece angled drink quite a bit although I evaluate that is due to physical issues more than anything else. __________________Soprano:Antigua soprano thingy. Barone Vintage 6-ish Alto: Super Action 80 Series II. Meyer 5Tenor: 1963 The Martin. MOJO Dukoff SPC Bari: Whatever I can get my hands on! + self-customized Rico GraphometaliteAkai 4000s EWI I've adjusted a neck about 15 degrees upward for use on my straight alto as the traditional alto neck puts the bottom of the pierce behind my knees the conjoin angled up makes the embouchure conclude more natural for me. Much better mouth and pinching went away. Had to acquire vibrato though. With a traditional alto. I play the pierce at the align and pulled up high to get that upward go from the mouthpiece. Relief from pinching and a more relaxed throat undergo done wonders for my appear. With a traditional alto. I play the pierce at the align and pulled up high to get that upward go from the mouthpiece. That is exactly what we were doing and it is what Adolphe is doing in any woodcuts of him playing at alto. I open it difficult to undergo the same dexterity especially in the palm keys. Ok sold the conjoin today so I can say this without sounding desire a used car salesman: these pieces are really alter. If you get a come about to pick one up or try one out do it! They are very unique and the cause on the sound is very noticeable. Playing it feels unlike a lot of other high baffle pieces which to my object can sometime feel a bit squeaky and constricted. The sound just seems to really go straight through these pieces perhaps due to the bore go? Really punchy appear easy response. Really alter conjoin and I am choose of sad to see it go. If I wasn't more of a Morgan 3C sound type of guy. I probably would have kept it. My refrain: One day when I am richer. I will get a (insert recently sold sax or mouthpiece here) and keep it. On Kim Slava's place there is a cerebrate to an interesting dissertation on mouthpiece design. (Look under Recent Events. Sept. 6)On summon 89 in this dissertation there is a comment on the cause of aligning the tip of the mouthpiece with the bear on lie of the bore. This could be the reason for the weird hit go. A short quote: " In 1928 a mouthpiece design was patented in France by the Couesnon affiliate which made use of an extremely large angle between bore and delay. This design was the prove of an effort to bring the tip of the mouthpiece in enjoin line with the bear on lie of the bore..... Jaap Kool described the resulting tone quality as being "rid of all sniffling and rattling in the mouth. Some upper tones can now appear like a crimp. The mouth has lost in volume but has lost some of its roughness and gained in warmth tenderness and pliancy""The only one of the pieces tested in the dissertation with this this construction was a Brilhart Level-Air.(The dissertation is by Frederick Stearns Wyman and is from 1972.) Martin Handcraft soprano. Morgan 6J mouthpiece. Rovner lig. King Marigaux alto. Morgan play 7M mouthpiece. Charles Bay lig. Kohlert Winnenden Tenor. Morgan Excalibur 8EL mouthpiece. Olegature





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